The Dead Inside: A Horror Anthology Book Review
THE DEAD INSIDE: A HORROR ANTHOLOGY EDITED BY LAUREL HIGHTOWER AND SANDRA RUTTAN
4.5 stars
COVER ART BY GEMMA AMOR
THE DEAD INSIDE is a dramatic thirty piece collection of short stories and poetry delving into the topic of identity horror. The plots explore what happens when identity is denied, forgotten, repressed, or suppressed whether through society, culture, or family. There’s an inclusive range of characters and a wide array of heartbreaking lessons to be learned. Readers will easily find stories that speak to their own internal and external experiences mirrored by these dynamic characters.
Highwater and Ruttan do a fantastic job of compiling a steady mix between stories and poetry. The collection starts off with a bang, immediately capturing reader’s attention with “From Within” by S.H. Cooper. This body horror short story focuses on an overlooked woman trying to rise the corporate ladder. From there, the collection continues in a steady ebb and flow of themes, characters, and premises that will connect with readers from various cultures and backgrounds.
Each story has a stand out moment, and while many selections will stick with readers long after the final word has been read, there are a few that rise above:
Similar in theme to “From Within,” “Evil Inc. (Or How to Succeed in Business without Really Dying)” by Robert Stahl) delves into the horrors of evil corporations that work their employees to the bone, asking readers, “How far would you go to succeed?” Some stories have a more lyrical tone such as “Subsidence” by Sarah Jackson where the protagonist discovers a crack “not a scar, just a pale slit, like a paper cut” along the collarbone. The poem entitled “Black Like That” by R.J. Joseph is an exquisitely crafted raw look at racism:
“we know your blackity black
but don’t be black like that
dark skin and thick, dark lips
bubble butt rounded with hips…”
“Ending is the Only Beginning” by Ali Seay is a chilling look at motherhood, depression, and substance abuse, while “The Daughter She Wanted” by Jaecyn Boné is less a horror story and more a powerful dramatic piece about family, self-love, and acceptance. Finally, the book ends on a fitting note of death as a young man finds himself on an unusual job interview in “An Evaluation” by Scott J. Moses.
While a few of the stories were a bit slow in pacing, the majority sunk their claws deep within, not letting go of the reader until the final moments. Transphobia, homophobia, racism, suicide, and child death are just some of the sensitive topics that are written about. Check out the content warnings at the back of the book for further information. For those who enjoy Carmen Mario Machado, Thomas Ligotti, or Rachel Yoder, this collection is a perfect fit!
